D H Lawrence was born in England and was the fourth child. His mother had superiority over his father when it came to education. His father was a heavy drinker and worked in the coal mines. Because of this difference, his childhood consisted of many fights and friction between his parents. He was very much aware of these fights, and tending to lean towards his mother's side. Lawrence developed a bond with his mother, and she encouraged him to persue his interest in the arts. He recieved a scholarship and got an education from Nottingham high school. He soon recieved his teaching certificate. (1)

David Herbert Lawrence was born on September 11, 1885 in Central England. He grew up in England and during World War 1 his wife and he faced much discrimination. This was because they could not get passports. They were eventually "expelled" from Cornwall. They were not able to emigrate until the year of 1919. (3)

Lawrence's childhood sweetheart Jessie Chambers submitted several of his works to a publishing company. At the age of 25, his first novel, The White Peacock, was published. Several years later, he married Freida von Richthofen. His novel Sons And Lovers was published in 1913. The character Miriam is based on Jessie Chambers. (4)

After quiting his teaching job at the University of Nottingham he eloped with Frieda Weekly and went throughout Europe. He spent a lot of time in Italy. But he finally died of tuberculosis in France on March 2, 1930. (5)

Encouraged by his mother, lawrence became quickly interested in the arts. he was educated on scholarship, at nottingham high school. he then recieved his teaching certificate and found a job at davidson rad school in south london. he was 22 years old at this time. (4)

DH Lawrence faced much controversy throughout his entire career. Due to his use of sexuality and spontaneous situations, he was banned from many schools and libraries. His works including poetry, essays, literature, paintings, and more encompassed the modernization and industrialization of the world at that time. He earned many enemies and censors. By the time of his death, his reputation was comparable to that of a pornographer. Conservatives and feminists continue to object to his outlandish and objectifying ways.



D.H. and Frieda Lawrence (7)


D.H. Lawerence (8)

Literature:

Aaron's Rod(9)
England, My England(9)
Lady Chatterly's Lovers(9)
Sons and Lovers(9)
The Trespasser(9)
Twilight in Italy(9)
Women in Love(9)
Touch and Go (Play)(9)
"A propos of Lady Chatterley's Lover"--1.1
"Adolf"--1.1
Altitude--1.4
Amores--1.5
Apocalypse--1.6-2.1
"Apostrophe of a Buddhist Monk"--1.1
"Art and Morality"--1.1
"Art and the Individual"--1.1
"As for me, I'm a patriot..."--1.1
"August holidays"--1.1
"Ballad of another Ophelia"--2.2
Bay, a Book of Poems--oversize folder 1
"Be men, be individual men, grounded in your own manhood"--2.2
"Bells"--2.2
Beyond the Rockies--31.3 (in Works III notebook)
"Birds, beasts and flowers"--2.2, bound volume
"Bits"--2.2
"Blue Mocassins [sic]"--2.3
The Body of God--2.4-7, galley folder 1
The Boy in the Bush--3.1-3
"Bread Upon the Waters"--2.2
"By the Lago di Garda"--3.4
"Certain American and an Englishman"--3.6
"Chaos in Poetry"--4.1
"The Christening"--4.2
"Christs in the Tirol"--4.3
Climbing down Pisgah--31.3 (in Works III notebook)
"Cocksure Women and Hen-sure Men"--3.5
Collected Poems--4.4-5.2
Collected poems: "Foreword"--3.5
"The Crown"--5.3
The Daughter-in-Law--5.5
David--5.6
David: music and lyrics--5.4
"Delilah and Mr. Bircumshaw"--5.7
"Diary of a Trip to Sardinia"--see Sea and Sardinia
"Discipline"--5.4
"Do Women Change"--5.4
"The Doe at Evening"--5.4
"Dreams Old and Nascent"--5.4
"Dull London"--5.4
"Enslaved by Civilization"--6.1
"Education of the People"--6.2
"The Escaped Cock"--6.3-6
Etruscan Places--6.7-9
Fantasia of the Unconscious--7.2-3
Fantasia of the Unconscious, "Foreword"--7.4-5
The Fight for Barbara: A Comedy--7.6-7
"Fireworks"--7.1
"Fly in the Ointment"--7.1
"The Fox"--7.8
"A Fragment of Stained Glass"--7.1
"Frost Flowers"--7.1
"Give Her a Pattern"--8.1
"Going Back"--8.1
"Guards"--8.1
Herman Melville's Moby Dick--8.1
Herman Melville's Typee and Omoo--8.1
"Him with His Tail in His Mouth"--8.1
Hopi snake dance--31.3 (in Works III notebook)
"Hymn to Nothingness"--8.1
"Germans and Latins"--8.2-3
"In Love: More Modern Love"--8.4
"Individual Consciousness vs. the Social Consciousness"--8.4
"Insouciance"--8.4
Introductory note to The Tales of Giovanni Verga--8.5
Introduction to Verism, Naturalism and Realism--8.4
Introduction to McDonald's Bibliography--8.4; 31.3 (in Works III notebook)
"Is England Still a Man's Country"--8.4
John Thomas and Lady Jane--see Lady Chatterley's Lover
Kangaroo--8.6-10
"Labour Battalion"--galley folder 2
Lady Chatterley's Lover--9.2, oversize boxes 50-52, bound volumes
Last Poems--9.3-4
"A Little Moonshine with Lemon"--9.5
Little Novels of Sicily, by Giovanni Verga (translated by Lawrence)--9.6
"The Little Town at Evening"--9.1
Look! We Have Come Through--9.7
The Lost Girl--9.8-10.2
"Love"--9.1
Love Poems--10.3
Love Poems and Others--10.4
"Letters from Germany"--9.1
"Making Pictures"--10.5
"The Man in the Street"--10.5
Man Is a Hunter--31.2 (in Works II notebook)
"The Man Who Was Finished with the World"--10.5
Married Man--10.6
"Master in his own House"--10.5
Mastro-Don Gesualdo by Giovanni Verga (translated by Lawrence)--10.7-
11.4, galley folder 3
"Matriarchy"--10.5
"The Meaning of Astrology"--10.5
Mediterranean in January--31.3 (in Works III notebook)
"Men Must Rule"--10.5
"Men Must Work and Women as Well"--10.5
The Merry-Go-Round--12.8
Mr. Noon--11.5-12.7
Morality and the Novel--10.5
Morning in Mexico--10.5; 31.3 (in Works III notebook)
"Mother and Daughter"--galley folder 4
My Lady's Keeper--see Lady Chatterley's Lover
"Nathaniel Hawthorne"--12.10
Nettles--12.9
New Poems--13.1
New Poems, "Preface"--12.9
"The Nightingale"--12.9
"Nostalgia"--12.9
Notebook of early verse--13.2
Notes to Earl H. Brewster for article "The Hands of Man"--12.9
"The Novel"--12.9
"The Novel and the Feelings"--12.9
"Odour of Chrysanthemums"--13.4
"On being a Man--13.3
"On Coming Home"--13.3
"On Human Destiny"--13.3
"Once!"--13.3
"The Overtone"--13.3
"Ownership"--13.3
The Paintings of D.H. Lawrence, "Introduction to Painting"--13.6, oversize folder 2
"Pan in America"--13.5
[Pansies] "Pensees"--13.7
Paul Morel--see Sons and Lovers
"Pentecostal and Obsequial Chant"--13.5
"Picture on the Walls"--13.5
The Plumed Serpent: Quetzalcoatl--13.8-15.2, galley folders 5-8
Poems--15.5
"Pornography and Obscenity"--13.5
Preface to "Black Swans"--31.3 (in Works III notebook)
Preface to "Cavalleria Rustica and other stories"--13.5
"The Primrose Path"--15.6
"The Princess"--16.1; 31.3 (in Works III notebook)
"The Proper Study"--13.5
"The Prussian Officer: Honour and Arms"--16.2
"Rabbit Snared in the Night"--16.3
"Rainbow"--16.3
The Rainbow--16.5-19.6
"Red Trousers"--16.3
Reflections on the Death of a Porcupine--16.4
"Resurrection"--16.3; 31.1 (in Works I notebook); 31.3 (in Works III notebook)
Review for Vogue--16.3
Review of "Fallen Leaves" by V.V. Rozanov--16.3
Review of "Gifts of Fortune" by H.M. Tomlinson--16.3
Review of "Solitaria" by V.V. Rozanov--16.3
Review of "The Origins of Prohibition"--16.3
Review of "The Social Basis of Consciousness" by Trigant Burrow--16.3
"The Risen Lord"--16.3
"Samson and Delilah"--20.1
"The Scarlet Letter"--20.1
"A Scrutiny on the Work of John Galsworthy"--20.2
Sea and Sardinia--20.3
See Mexico after--31.3 (in Works III notebook)
"Sex Appeal"--20.1
"The Shadow of the Rose Garden"--20.1
Sons and Lovers--20.4-21.3
"The State of Funk"--20.1
The Story of Dr. Manente--21.4
A Study of Thomas Hardy--21.5-22.2
Sun--22.3-4
The Symbolic Meaning--22.5-6
"There is a Small Cottage off the Addiscombe Road"--22.7
"There was a Gay Bird Named Christine"--22.7
Things--22.8-23.1
"Thinking about Oneself"--22.7
"Tommies in the Train"--22.7
"Town"--22.7
Translator's preface to "Cavalleria Rustica"--22.7
"The Triumph of the Machine"--22.7
Turning back--31.1 (in Works I notebook)
"Twankadillo"--22.7
Twilight in Italy--23.2
"The Undying Man"--23.3
The Virgin and the Gypsy--23.4
The White Peacock--23.3
"Why I Don't Like Living in London"--See "Dull London"
"The Wind, the Rascal"--23.3
"Winter-lull"--23.3
"The Wintry Peacock"--oversize folder 3
Women in Love--23.5-30.5

A Picture of DH Lawrence in his adult years
(10)
Sources
(1) http://www.kirjasto.sci.fi/dhlawren.htm
(2) http://www.online-literature.com/authorpics/dh_lawrence.jpg
(3)http://www.acsu.buffalo.edu/~dward/dhlawrence.html
(4) http://www.kirjasto.sci.fi/dhlawren.htm
(5)http://www.cswnet.com/~erin/dhlbio.htm
(6) http://www.answers.com/topic/d-h-lawrence
(7)http://images.google.com/imgres?imgurl=http://www.cswnet.com/~erin/landf2.jpg&imgrefurl=http://www.cswnet.com/~erin/landf.htm&h=1246&w=1340&sz=45&hl=en&start=2&tbnid=k4L1MrhiN_rqKM:&tbnh=139&tbnw=150&prev=/images%3Fq%3DDH%2BLawrence%26svnum%3D10%26hl%3Den%26sa%3DN
(8)http://images.encarta.msn.com/xrefmedia/sharemed/targets/images/pho/t011/T011902A.jsm
(9) http://www.online-literature.com/dh_lawrence/
10. http://web.ukonline.co.uk/rananim/lawrence/new-1.gif
11.http://www.hrc.utexas.edu/research/fa/lawrence.dh.works.html